Archive for the “Issues in Film” Category

 

 

 

25 Favorites From a Year When 10 Aren’t Enough

Weinstein Company

Philip Seymour Hoffman and Joaquin Phoenix in “The Master.” More Photos »

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Published: December 14, 2012

IF you spent a lot of time this year reading and writing about movies — as opposed to watching them, which is more fun — you might have detected recurrent notes of anxiety, trepidation, even dread. Television is better than movies; audience levels are in a state of permanent decline; the Hollywood studios have given up on grown-ups; and digital, a force so powerful that it is both adjective and noun, is destroying cinema as we know it. These are among the tenets of a pessimistic conventional wisdom.

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When Do We ‘Get It’?

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LOOK past the award-season hype and the current bounty of decent, good, great movies, and one thing becomes clear: We live in interesting narrative times, cinematically. In “Cloud Atlas” characters jump across centuries, space and six separate stories into a larger tale about human interconnectedness. In “Anna Karenina” Tolstoy’s doomed heroine suffers against visibly artificial sets, a doll within an elaborate dollhouse, while in “Life of Pi” a boy and a tiger share a small boat in a very big sea amid long silences, hallucinatory visuals and no obvious story arc. In movies like these, as well as in “The Master” and “Holy Motors,” filmmakers are pushing hard against, and sometimes dispensing with, storytelling conventions, and audiences seem willing to follow them. The chief film critics of The New York Times, Manohla Dargis and A. O. Scott, consider this experimental turn. Read the rest of this entry »

Comments Comments Off on When Do We ‘Get It’? – Storytelling Techniques (NY Times – Nov. 24, 2012)